Young, beautiful and fabulous! Jourdan Dunn and Cara Delevigne – fashion’s breath of fresh air…
Oh to be young!
Be charmed, stay inspired! x
Balmain -Winter 2012-13 Runway Show…
‘It’s over the top, I mean it’s very very embellished. I don’t know quite where you’re going wearing those clothes, but if you have the life for it, I envy you.’ Said Cindy Weby Clearly from Instyle Magazine at the Balmain’s a/w 2012-13 runway show.
As I begin to write this post I am realising how ironic and funny life can be…I am even deliberating the theory that life would have it that we are all literally walking talking contradiction – if you’re not, I know I definitely am.
When I first began writing this post I had a future set out in front of me with my partner – marriage, children, a house in Sicily where I’d write my novel and buy beautiful clothes and a house in London where I’d come to see family and friends …of course these are all ideals and I am summarising. Something happened in between the time I started writing this post and I completed it. When I began writing this post I was at a point in my life when I was literally hanging up my dancing shoes and was mentally assembling a wardrobe for myself that resembled neat and clean Celine and Parisian chic, all accompanied with the versatile, sexy but practical court shoe. I was writing style posts that referred to my new refined approach to fashion as opposed to my uniform of little black party dresses and sky scraper heels perfect for partying.
What happened between the time in which I began writing this post and today (the day in which I am completing it) is life-changing. My partner and I split up after seven years. Parties and social opportunities began to arise in abundance, whilst civilised dinners and drinks almost disappeared off my radar. As did the ties to my future and even my life as I knew it. Ironically, on the top of my shopping list now is a new pair of dancing shoes. Fashion and life is ever so interchangeable, when I began writing Charms of a Dandizette I swore I would never wear a pair of brogues – when I graduated from my Masters and found myself a job that involved commuting daily I realised how impractical navigating my commute in six inch heels was and what did I do? I purchased myself a pair of brogues. I may have written extensively about a recent refinement in my life, and equivocally my wardrobe…but with my loosened ties to my future that I once envisioned comes a looser approach to refinement and a far more stringent approach to having fun.
Of course, the best lives are those that are balanced – so although the glamorous approach to dress finds itself at the forefront of my mind and my dancing shoes and party dresses have once again found themselves at the most accessible regions of my wardrobe…I’ll still keep it cultivated and totally inspired by this alluring and majorly desirable Balmain collection.
After all, isn’t that how every single girl out on the town wants to feel?
Be charmed, stay inspired! X
“Be daring, be different, be impractical, be anything that will assert integrity of purpose and imaginative vision against the play-it-safers, the creatures of the commonplace, the slaves of the ordinary.” Cecil Beaton quotes
I am currently in the process of building my accessories collection. Although I continuously purchase new earrings and rings, I couldn’t help but notice that my bangle collection has somewhat fallen by the waist side. Instead of creating a wonderful pile up of bangles and bracelets, cuffs and chains made of leather, metal and mesh. I find myself slipping on the same bangle each and every morning – with no attention to aesthetic creativity at all. I have come to notice that my bangle collection hasn’t been updated with any statement pieces in (ashamedly so…) years. So I thought I’d share with you what’s inspiring my journey to updating my bangle collection…
There truly is an art to the perfect pile up, and once mastered, what a masterpiece…I think you’ll agree…
My fashion task: Purchase some bedazzling bangles and to master the perfect pile up –
I’ll keep you posted..
Be charmed, stay inspired! x
The London Film Festival starts today…
Here’s a little teaser to whet your appetite.
Marella Ferrera is possibly one of Sicily’s most influential and inspirational fashion designers still living and working in Sicily. Sicily always at the heart of her artistic endeavours, Marella Ferrera has provided the island not only with its very own claim to high fashion, but possibly one of the most imaginative and intelligent fashion designers to date.
Marella Ferrera is an acclaimed Haute Couturier and Prêt a Porter designer who began her career in 1974 after attending the Accademia di Costume e di Moda (Academy of Costume and Fashion, Rome). She has won numerous awards across Europe that have crowned her ‘Best Couturier’ and given her recognition globally. The precious works of Marella Ferrera are not only the proud possessions of Sicilian art and fashion, but are the treasures of Sicilian culture, history and geography.
It is in the creations of Marella Ferrera that one can truly begin to decipher the distinction of Sicilian fashion from Italian, ‘true Sicilian style is not related to the clichés of “mafia, coppola (1) and lupara (2)”, but it is the unique and elegant melange of tradition, heritage; all the conquerors that signed the identity of this land,’ she explains. Using materials that are rustic, raw materials that are geologically Sicilian and materials that may not necessarily be associated with fashion design at all gives Marella her distinctiveness. A Marella Ferrera creation not only acts as an emblem of Sicilian fashion and art, but gives her designs an unmatched exceptionality. The core of a Marella Ferrera design, beyond its sicilianita’ is her desire to create, ‘garments unlike anything you would normally see,’ she says.
A Marella Ferrera dress might be embroidered with terracotta or embellished with thin clay flowers. She incorporates lava rock, rock crystal, copper wire, papyrus, textile paper, cork and palm roots, to name just a few, into her designs. ‘For my professional fulfilment I have always trusted in the potential of my birth land. I have never cut the cord that ties me to Sicily, Sicily is my creative limb.’
The bodice of a Marella Ferrera dress can take up to one month to be created, she describes the process of making a terracotta dress, ‘it must be painted, then it is broken, pierced with holes, and crocheted together like a piece of embroidery.’ The final result is a dress that one might assume to be heavy or stiff due to the materials used to create it. Surprisingly a terracotta dress weighs only a hundred grams. Using science and geography to create pieces without a mind that continuously seeks knowledge and takes on experimentation might seem impossible, but Marella persists to take on challenges to make new discoveries and push physical boundaries. The advances in technology are paramount to her designs, as this provides her with the tools that allow her to reinvent and present the innate materials of Sicily in original ways.
Her creations have a sensitivity about them that evokes her spirit and her sentiment. Her work is poetic and picturesque, whilst remaining romantic and sensual. Marella’s designs can transform any woman in to a goddess, so much so she designed the wedding gown of Princess Elvira Grimaldi di Nixima, the cousin of Princess Carolina of Monaco and frequently sells her creations to Arab princesses. Her designs are favoured as wedding dresses and ceremonial events. A Marella Ferrera dress is for the occasion that is to be memorable, worn by women who want their garments to have significance and discourse.
It is clear to see that she is a couturier at heart. Placing a Marella Ferrera design in the middle of a room transcends its purpose, from protection and functionality to a piece of art ornamenting a space – a memento of her dreams, her childhood, her travels and her origin. She creates designs with such intricacy and attention to detail that she is any fashion technicians dream. Her fashion design and creative process is just as intriguing and inventive as that of the wondrous Karl Lagerfeld or the talented and late Alexander McQueen. One might indeed find a likeness comparing the work of Marella Ferrera to an artist or a sculptor and this is what makes both her and her work so unique and enchanting. Marella’s designs are a castle in the air, a wonderland or a fairy tale that have been miraculously brought to reality. The utilisation of outstanding technique and an approach to fashion design that is out of this world creates designs that are literally like no other, thus far. Marella Ferrera truly is a Sicilian treasure.
A major part of going out for a night on the town is the dressing up and being appreciated for our adornment – that’s exactly why we do it. There’s no gratitude in dressing up without an appreciative eye to witness our efforts. It’s like wearing an Azzedine Alaia dress where nobody even knows who he is, let alone recognises one of his designs. Vain and self important? Most definitely so; dressing up is part of a process, a self fulfilling prophecy that requires us, once taken pride in decorating ourselves, the need to be seen and appreciated in order to complete the full circle of ‘enjoying’ dressing up. When women meet with friends on nights out, don’t we spend at least the first fifteen minutes together discussing what we are wearing? And new purchases or garments our friends haven’t seen us in before tend to be appreciated more, no matter how much they loved the last cocktail dress we wore. Let’s be honest, without a doubt we feel great in something new, after all, fashion works on a cycle that won’t promise the two thousand pound Stella McCartney thigh high boots you invested in last season will be on the catwalk winter 2010/11, but will assure you change and newness will absolutely be a key trend. So, because we love dressing up and the feeling of wearing a new dress being so addictive and ironically priceless, the dresses bought last year that we adored, spend most of their time in the wardrobe and our money spends most of its time flying out of our purses, trying to catch up with fashion. It’s almost as stupid as a dog chasing its tail. And like that bad boyfriend, we never stop chasing; the capricious and fickle nature makes it exhilarating and indulgently satisfying – for a moment.
On average I watch at least five films a week, some weeks more. So often I find films that I love, characters that are dazzling, dialogue that is witty and fashion that I want to emulate, but once one film is finished and the next begins I momentarily forget all the things that I love. And as my film vocabulary continues to build I find myself making the mistake of watching a film and half way in realising I’ve already seen it…So, I am going to start building a film list and diary, following me night by night of all the films I am watching. I am also goint to attempt to list all the films I have watched throughout my twenty six years on the planet.
Have you ever wondered how many films you’ve watched?
Send me your lists….
Today I watched How to Marry a Millionaire 1953, starring Marilyn Monroe, Betty Grable and Lauren Bacall. I watched it with my mother after my sunday dinner with a glass of red wine, admiring the beautiful shirtwaist dresses, which I have decided are perfect for hiding my slowly widening hips. I am on the hunt for one for summer.
Anyway, less about fashion, more about films. My partner inisted we watch Tequila Sunrise, I didn’t want to, but as I said, he insisted, so we did. Luckily enough he fell asleep asleep fifteen minutes in. So I am now about to watch Swingers 1996, with Vince Vaughn, who never fails to split my sides. I’ll be watching with peppermint tea and a hot cross bun. x